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Voting Made Easy. The female really plays the lead role and Keanu is the 'canvas' which takes almost the viewers perspective of initially not understanding what happened.

However, the film makes perfect sense and the surreal parts tie into the final conclusion. Don't read any parts with spoilers - the twist is worth it.

I'm not a Keanu fan really but his role is ideal here, as in understated detective. Not a film for adolescents, children or action movie fans, but is a film for people that like an interesting story told in a novel way and relates to a woman with a problematic life.

I really enjoyed it, though my wife didn't she thinks i like all weird films but it is neither slow nor 'art house's rubbish, but simply a compelling story with an interesting end.

Try it, there is a good chance you'll find it fascinating and enjoyable, as I did. While Knock-Knock was a mishap, Keanu Reeves still carries the buzz from John Wick, so it's peculiar to see his new movie flies under the radar.

It's soon apparent that "Exposed" has a rather jumbled presentation. The movie uses multi perspective style and it does try to deliver heavy subject such as abuse, but it's ultimately too broken to create any appropriate connection.

The two perspectives are too messy, as though the screenplay or editing is done sloppily. Keanu's point of view is that of noir detective, although the investigation moves so slowly and erratically.

Meanwhile Ana de Armas plays as a troubled wife who might just see some apparition. From the color tone, the pace and even the script, these two stories are utterly different.

It's not to say that there's not an artistic goal in mind, it could have dealt with mature theme well, however the jarring shift is confusing to say the least.

It would jump from festive vibe, to brooding case and suddenly to what seems to be psychological thriller with metaphor. This is a really odd direction and it doesn't have to be such, it feels as though the movie tries to needlessly overreach.

Both the leads perform admirably, in some instances Ana de Armas looks amiable and Keanu Reeves still has his appealing presence.

However, the plot is chaotic, there would be incredibly slow development and subplots, yet it would hasten abruptly in mere minutes.

The few segments from other angles don't really pan out in the grand scheme, while its intended twist is hampered by over saturation of horror genre, which is odd to see in crime drama.

This kind of sudden change is not uncommon, some thriller movies shifted to more action atmosphere for casual audience or some action flicks would be altered to accommodate more famous stars.

Still, the extreme shift of tone here doesn't have any appeal instead it's only a distraction. I had no idea what this movie was trying to accomplish.

Honestly, I don't. I'm certain it was trying to go for cerebral, but I've seen home movies on flip phones with more coherent plot twists than this.

The first hour was nothing but disjunctive cut scenes sporadically placed with no relation or relevance to each other. Most were emotional gotcha's that did nothing to move the plot forward.

Someone asked about the dog scene, why stop there? Why did we even bother talking about the cop's kid? Or the hooking up with the dead partner's wife?

Or the guy going around killing supposed witnesses? None of that mattered at all in this film. You could have removed all of that and it wouldn't have impacted the story in the slightest.

The pieces that were relevant were edited and whittled away because once you sat through an excruciating hour of mind numbing inanity, the ending, which happen to reveal itself around the same time as the plot, was so utterly predictable.

I could not understand how anyone would want to put their name to this drivel. Basically this movie should have been 'The Machinist' meets 'Pan's Labyrinth' in regards to telling an intriguing story, but instead Lionsgate decided that garbage with a big name actor stamped on it would somehow salvage yet another overarching reach of stifling creativity.

A woman leaves a nightclub and, over the objections of her brother-in-law, insists on taking the subway home alone.

On the train platform she witnesses an incredible event: an overly well-dressed man with a decidedly albino cast to his features walks on air and levitates above the subway track, peering down the tunnel to see if the train is arriving.

He turns, walks back to the platform, and smiles at the woman. The next day, a crooked police officer is found dead in the same subway station, and one by one, all the associates of the woman disappear or are murdered.

She herself begins to witness surreal visions which increase in frequency when she befriends a small girl she suspects to be a victim of sexual abuse.

This movie had the makings of an intriguing plot, as the story expands and we learn more about the various characters and how they are, or may be, related.

Unfortunately, the makings of a plot do not equal a plot itself, and this is never more so the case than when the studio edits the film to try to create suspense and mystery that should have been inherent in the original screenplay.

The endless flashbacks, vision sequences, and out-of-chronology scenes add nothing to the film but confusion and, oddly enough, tedium.

They take a better-than-average premise and turn it into a mess of a movie, saved primarily by the few nuggets of genuine creativity in the plot and the looks and acting of Ana de Armas and the cast who portray her family members.

I gave this film 6 stars, solely because I felt the current consensus of 4. A realistic rating would be in the 5. As the film is only 90 minutes, you won't waste much time watching it if you happen to disagree.

The original production was reportedly surreal, very political and multi-cultural. But financing fell through and the producers turned to Lionsgate, who invested in what they thought was a thriller centered on Keanu Reeve's character.

The studio didn't feel the original film held broad audience appeal and re-cut it to conform to the film they thought they had invested in.

Subsequently, Linton disavowed the film and sued to have his name removed from his only theatrical credit. The final result reflects the production's uneven genesis.

There are two story lines, one in Spanish with subtitles and another in English, which interweave and ultimately merge. Two other story lines seem a bit disjointed and incomplete, presumably due to wholesale cuts.

The story lines share a common theme concerning reluctance to pursue the truth for fear of the consequences. One character was severely traumatized by a childhood experience.

Current events conspire to push this character over the edge, compelling a response to the inner turmoil.

Another character seeks to uncover the truth about a friend who was not the person he thought and who had secrets he would rather not have learned.

There are also a few surrealistic events that don't make much sense, but may have made more sense in the original version.

And an individual's death leads to unexpected consequences. The underlying whodunit is intriguing with some satisfying twists. The truncated subplots provide ample red herrings, although they aren't entirely satisfying.

If the film had been shot as detective story, the writer and director would have taken markedly different approaches. What we have is a bit of a hodgepodge that affords glimpses of the story that it might have been.

If the director and writer had concentrated on the mystery rather than the social commentary, they would have had a much better film.

Having not seen the original film, I cannot comment on how effective it was as a social commentary, although it reportedly received generally favorable reviews from the preview audiences.

The trailer is exciting but very misleading. The movie started well enough but quickly turned into a strangeness that defies description. Half trough it got very predictable, super weird and boring.

Appeared like a low budget, indie, psycho production. The basic story could have made a good movie, but the second half of the movie was more like an improvised 8th grade theater project without any concept.

I knew exactly what will happen in the end. Avoid at all costs!!!!! An evening locked up in the toilet is more enjoyable :. There seems to be very little love for this movie.

I'm one of those who's glad I went in knowing nothing about it. I'm neither a fan nor a detractor of Keanu Reeves. I've seen a few of his movies, and I've yet to see him give a bad performance.

He's a subtle actor who doesn't ever grandstand. The other lead in this movie, Ana de Armas, is a revelation.

But what kept me watching was the superb cinematography by Trevor Forrest. I was expecting to see a B-movie - instead, I saw a polished work of film art.

So, it's odd to read that this is the re-edit disowned by the director. Since the end of the movie came as a real surprise to me, if the original cut is ever released, it won't have the same impact, unfortunately.

It's easy to ridicule a film like this because it takes so many chances. It's not perfect, by any means, and the story of one character, at least, is rather unresolved.

I've seen about four thousand films in the past ten or eleven years, so I'm quite picky because jaded by seeing the same old formulaic dross trotted out again and again.

But I live in hope! This is not dross. This is good cinema. See it! Most reviews point to the fragmented plot and separate stories etc.

These are crucial to the structure of the film where both leads live in a surreal fantasy world, one more fantastical, and the other a depressed realism.

I felt the ending didn't need the "explanation" the director gave and a simple shot of the family photo would have been enough. We worked out what was fantasy and what was real from that.

That said, it was a poignant portrayal of people dealing with violence and tragedy in different ways. The side plots were intended to divert attention from the main plot and worked well within the overall construct.

Ana de Armas is excellent in her portrayal of the tragic innocent. Keanu is the same wooden character he always is. Overall a well made movie with neat twists and some excellent performances.

If you'd like a little excrs for your brain and a little mysterious movie genre, maybe you'll like this movie. Strongly recommend for you, But if you want something entertain, laugher, romance, action or lasers, then this isn't a movie to enjoyed, Sit back and open your mind widely for a little journey trough the time line and a story, The story tells about one girl named Isabel, who lived in the Big Apple, New York and a police officer Scott who trying to investigate murder case, Two different stories about life's, and perspective comes in deep dark journey I don't understand the low ratings of this movie.

It is a very good movie. If you expect a standard crime action movie this is not it. Its not your typical crime detective movie. Don't expect an action movie.

It is a drama. And it involves several different characters that have their own unique story. It is touching and heartfelt.

I was very moved at different times in the movie. The overall story is very good. It is not a simple easy to understand story like some people write.

The actors do a very good job. I enjoyed every second. For some reason some people seem to hate the movie and rate it incorrectly with 1 star and it brings down the rating.

It deserves at least 6. GroovyDrew 28 January The "popular" rating system on movies is something that lets me down from time to time.

This movie was an excellent use of my time. Very thought provoking, never one single dull moment. I am so glad I didn't look at the reviews otherwise, I might not have watched it.

Seems to me that most of the people who rate movie ratings are comparable to top 40 music music. Menu did an excellent job and I totally see why he took this role.

Great movie! I will let you know that is it a crime drama. No shootouts or explosions or and stunt men required.

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